Blackwrap, Cinefoil & Photofoil — Rosco Black Foil (AU & NZ)

Blackwrap · Cinefoil · Photofoil · Rosco black foil · AU & NZ

The most useful black on set.

When you need to take light away — flag spill, kill a bounce, black out a window, wrap a hot fixture or cut a shadow — you reach for black. Rosco makes the two blacks crews use every day: matte Blackwrap / Cinefoil / Photofoil foil that bends by hand and holds any shape, and E‑Colour 276 Blackout for windows, negative fill and cookies. Here's each one working on set — and every size, ready to add to cart.

Matte, non-reflective blackBends & holds its shapeHeat-resistant on hot fixturesBackpack photofoil to 122 cm rolls

Negative fill · in use

Take light away, add the contrast back

The most powerful thing black does on set isn't adding light — it's subtracting it. Rig a black flag on the fill side and you soak up the soft bounce that's flattening a face, so the shadow side falls off and the shape comes back. Foil does it at fixture scale; E‑Colour 276 Blackout does it as a full flag. Here it's shaping the light inside a car with no room for a big flag stand.

  • Kill the bounce that flattens a face — instant contrast
  • Foil for tight spots, Blackout on a frame for big flags
  • Matte, frosted black absorbs light instead of throwing it back
  • No colour shift — you're removing light, not tinting it

Clearing up the names

Blackwrap = Cinefoil = Photofoil

Same material — matte black-anodised aluminium foil for controlling light. The only real difference is the size of the piece and who's using it. Choose by size, not name.

🎟️

Blackwrap / Cinefoil

The film-and-theatre trade names for the wide rolls. "Blackwrap" (GAM/Rosco) and "Cinefoil" are identical black foil, sold in rolls to wrap barndoors, build snoots and flag big sources.

🎒

Photofoil

The photographer-friendly name for the compact, tube-packed 12" and 24" lengths that roll up and drop in a camera bag or backpack. Same foil, ready for location stills.

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Which one you need

In your bag? Photofoil. Kitting a truck, studio or lighting store? A wide Blackwrap roll. The material, matte finish and heat resistance are identical.

What it fixes, fast

The set problems foil solves in seconds

✗ Light is spilling onto a wall or into the lens and flaring the shot.

Rosco fix: Fold a flag, clip it to the barndoor and cut the spill exactly where you want — moulded to any angle by hand.

✗ A glossy prop, set piece or surface is throwing a reflection on camera.

Rosco fix: Line it or tent it with matte foil to kill the specular bounce — no glare reading back.

✗ You need a tight, hard-edged pool of light and have no snoot.

Rosco fix: Roll a snoot or punch a slot in seconds — the foil holds the shape you fold, no hardware required.

✗ Light is leaking around the barndoors and edges of a hot fixture.

Rosco fix: Wrap the fixture edge to seal the leak and tighten the beam — heat-resistant, so it sits happily near tungsten and hot LED.

✗ There's a gap around a door, window or set join letting light through.

Rosco fix: Mask it with a strip of foil — a fast, light-tight seal you can mould to any shape.

✗ You're on location with a camera bag and no grip truck.

Rosco fix: A tube of photofoil does the lot — flags, wraps and snoots that pack down to nothing.

How it works

One material, endless jobs

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Flag & cut

Shape a beam and stop light going where it shouldn't.

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Wrap fixtures

Tighten a beam and seal leaks around barndoors.

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Build snoots & gobos

Roll a snoot or punch a pattern by hand.

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Kill reflections

Matte-line boxes, props and sets to stop bounce.

Compact sizes

Photofoil — for the bag & backpack

Tube-packed lengths that roll up small. Grab-and-go light control for photographers and small crews.

Photofoil 12" × 10' (30 × 305 cm)
Backpack size · 12"

Photofoil 12" × 10' (30 × 305 cm)

The classic camera-bag roll — enough matte foil for flags, wraps and quick snoots on any stills or small-crew shoot.

$45
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Photofoil 24" × 10' (61 × 305 cm)
Wider · 24"

Photofoil 24" × 10' (61 × 305 cm)

Double the width for larger fixtures and bigger flags, still packed in a tube that travels.

$69
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Full rolls

Blackwrap & Cinefoil rolls

Wide rolls for sets, theatres and lighting stores — the workhorse sizes crews get through daily.

Blackwrap 30 cm × 15.2 m
12" wide

Blackwrap 30 cm × 15.2 m

The everyday 12" roll in the long length — the most-used width on most sets.

$149
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Blackwrap 60 cm × 7.6 m
24" wide

Blackwrap 60 cm × 7.6 m

Twice the width for wrapping larger fixtures and cutting bigger flags in one piece.

$149
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Blackwrap 90 cm × 7.6 m
36" wide

Blackwrap 90 cm × 7.6 m

Wide-format foil for large sources, big flags and lining set pieces.

$229
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Blackwrap 122 cm × 7.62 m
48" wide

Blackwrap 122 cm × 7.62 m

The widest roll for the biggest jobs — full-width masking and lining, no joins.

$349
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Total blackout

When foil isn't enough — kill the light completely

Foil flags and wraps; these Rosco blacks black out and stop bounce for the jobs that need it.

Rosco Blackscrim (R3421)
Black scrim

Rosco Blackscrim (R3421)

Black open-weave scrim to knock down and diffuse without colour shift — control where solid foil is too much.

$299
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Rosco Roscoscrim (R3809)
Silver / black

Rosco Roscoscrim (R3809)

Reversible silver/black scrim — block or bounce from one roll for fast, reversible control.

$299
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E-Colour 276 Black Foil / Blackout
Blackout gel

E-Colour 276 Black Foil / Blackout

A true blackout material on a roll for sealing light out of frames, gaps and windows.

$289
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Black out a window · in use

Turn day into night in seconds

Shooting a night interior in a daylight room? Press E‑Colour 276 Blackout into the window frame and the daylight is gone — a fast, light‑tight seal you can put up and pull down without ladders, tape scars or a blackout curtain rig. The same trick with foil seals the smaller gaps around a door or a set join.

  • Kill daylight for a night scene — no permanent blackout needed
  • Temporary and repositionable — up in minutes, down clean
  • Foil seals the small leaks; Blackout covers the whole pane

Cut a cookie · in use

Throw a shadow, break up a flat wall

Cut a cucoloris straight into the black — window bars, branches, blinds — and light through it to break up a flat wall with texture and shadow. Foil holds a punched pattern; Blackout cuts a big soft one. Courtesy of Rosco Spectrum.

How the pros use it

One matte black, three jobs on set

Field guide · Rosco E‑Colour 276 Blackout

Kill a window, subtract light, cut a shadow

Working with Rosco ambassador Richard William Preisner, Spectrum breaks down the three moves a black on set is really for: press Blackout into a window to remove daylight for a night interior; skin it onto a 4×4 or 5×5 frame (or waterfall it off a grip arm) for negative fill that adds contrast back; and cut a pattern into it for a DIY cucoloris. It's waterproof, tapes to walls and floors, and packs lighter than poly.

“Because Blackout has a frosted matte finish, it absorbs light wonderfully.”Joel Svendsen — Rosco
Read it on Rosco Spectrum →

Courtesy of Rosco Spectrum

Good to know

Blackwrap FAQs

Are Blackwrap, Cinefoil and Photofoil really the same thing?
Yes. All three are matte black-anodised aluminium foil for controlling light. "Blackwrap" and "Cinefoil" are the wide film/theatre rolls; "Photofoil" is the compact tube-packed size for photographers. Same material and finish — pick by the size you need.
Is it heat-resistant? Can I wrap it on a hot light?
Yes — it's aluminium foil, so it takes the heat of tungsten and hot LED fixtures far better than card or plastic flags. It's the standard way to wrap barndoors and seal light leaks right at the source.
Is it matte on both sides?
The black-anodised side is dead matte for the camera side of the job. Fold it black-side-out toward the lens to kill any shine.
Which size should I get?
For a camera bag, the 12" photofoil. For general set work, a 12" (30 cm) or 24" (60 cm) roll covers most jobs. Go 36"/48" only when you're regularly flagging big sources or lining large surfaces.
Can I reuse it?
Absolutely — foil holds its shape but re-folds and re-flattens, so a flag or snoot gets used again and again until it finally tears. It's one of the best-value tools on the truck.
I need to black out a whole wall or floor permanently — is foil right?
No — foil is for rigging and quick fixes. For a permanent matte-black surface use Rosco's black paints: TV Black for a projection/black-box wall, or Tough Prime Black for a stage floor. Links below.

Permanent black

Blacking out a surface for good?

Foil and scrim are for rigging. For a permanent, ultra-matte black surface reach for Rosco's black paints instead — TV Black projection paint (3% reflectance) for a wall or black box, or Tough Prime Black for a hard-wearing stage floor.

Keep a roll on every trolley.

Photofoil for the bag, Blackwrap for the truck, scrim and blackout for the jobs that need it. Add your sizes to cart, or tell us what you get through and we'll sort quantities.

Kitting out a truck or a store?

Tell us the sizes and how much you get through — we'll price foil, scrim and blackout by the carton. Exclusive Rosco distributor for Australia & New Zealand.