Atmosphere Aerosol — Haze in a Can for Photographers & Film (AU & NZ)
Atmosphere Aerosol · haze in a can · AU & NZ
The fog machine you keep in your bag.
A room with a little haze photographs completely differently — beams appear, backlight glows, and depth shows up out of nowhere. Atmosphere Aerosol is clear, non-toxic haze straight from a can. No machine, no fluid, no power, no warm-up. Pull it out of the bag, give it a spray, and the shot looks expensive. If you carry one thing for mood, make it this.
We're here to help
When you'd reach for a can
The everyday moments a can of haze fixes in seconds — on set, on location, in a client's space.
✗ The room looks flat and lifeless — no depth, no beams, no atmosphere.
Rosco fix: A quick spray adds haze so light beams appear and the frame gets instant depth.
✗ You're on location with a camera bag and nowhere to put a fog machine.
Rosco fix: The can lives in the bag — no cart, no power lead, no fluid bottle to carry.
✗ It's a client's space and you're worried about mess, residue or fluid.
Rosco fix: Atmosphere Aerosol is clear, water-based and non-toxic, and clears on its own — nothing left behind.
✗ You want visible light beams or god-rays through a window or backlight.
Rosco fix: Haze is what makes beams read on camera — spray, and the light you already have turns cinematic.
✗ A fog machine is total overkill for one hero shot or a single setup.
Rosco fix: A couple of seconds of aerosol hazes one setup instantly, then disperses — no machine to wheel out.
✗ You need mood NOW and there's no time to rig or warm anything up.
Rosco fix: There's no warm-up — shake, spray, shoot. Mood in the time it takes to lift the can.
What it actually does
Haze reveals the light you already have
Light you can't see doesn't read on camera. Add a fine, even haze and everything changes — a hard backlight becomes a glowing rim, a shaft through a window becomes a visible beam, and a flat room gains front-to-back depth. Atmosphere Aerosol gives you that hang-in-the-air haze from a can, so you get the expensive look without a machine on the floor.
- Makes light beams, shafts and god-rays visible on camera
- Turns hard backlight into a glowing rim on hair, edges and product
- Adds real depth and separation to a flat-looking room
- Fine, even, hangs in still air — not a thick blast of smoke
- The single fastest way to make a shot look cinematic
Why a can, not a machine
Everything a fog machine is, minus the machine
A fog machine is the right tool for a whole venue or a long run of haze. But for a photographer or a small crew doing setups, a can wins on the day: it fits in the bag, needs no power or fluid, warms up instantly, and cleans up by simply dispersing. Control is as easy as a shorter or longer spray.
- Fully portable — 8 oz can drops in any camera bag
- No power lead, no fluid, no warm-up, no cleanup
- Control the amount with short bursts — a little goes a long way
- Safe in studios and client spaces — clear, non-toxic, clears on its own
- Ready the instant you are — shake, spray, shoot
Add it to the kit
Atmosphere Aerosol — grab a can
The must-have that makes a shot look expensive. Keep one in the bag and pull it out the second a frame needs mood. Pair it with a colour kit and you've got the whole look.
Atmosphere Aerosol Haze Spray
Instant beams and mood from a can — clear, non-toxic haze, no machine required. (Can't ship to TAS/NT.)
Strobist Flash Pack
Add the pre-cut gels to colour and correct your flash while you're here — haze plus colour is the whole look.
Bigger job, or want colour too?
When you need more than a can
Hazing a whole venue?
For a room, a stage or a long run of haze, step up to a proper machine. Shop fog & haze machines →
After colour & correction?
Rosco filter kits change and correct your light on the go. Shop filter kits →
Quick answers
Before you buy
Is it safe to use indoors and around clients?
How long does the haze hang around?
Will it leave residue on my gear or the set?
How much is in a can and how far does it go?
Can you ship it to me in Australia or New Zealand?
How is it different from a fog machine?
Make the next shot look expensive.
One 8 oz can, $35, and it fits in a side pocket — the fastest way to add beams, glow and depth to a frame. Keep one in the bag.
Buying for a studio or a crew?
After a case of cans or kitting out a team? Tell us how many and we'll sort it. Exclusive Rosco distributor for Australia & New Zealand.