Tools for Photographers — Rosco Kits, Haze & Grip (AU & NZ)
Rosco gels & filter kits for photographers · AU & NZ
Change your light. On the go.
Cold flash? Mixed light wrecking your white balance? Want a warmer, moodier, more cinematic look — without fixing it later in post? A pocket of Rosco gels sorts it in seconds, right on your flash or LED. Here's the range — grab a kit and a can of haze, and scroll down for how each one changes your light.
Grab a kit
Ready-made Rosco filter kits
Each kit is a curated set of Rosco gels, pre-cut for flash heads or panels. Start with the Strobist pack for speedlights, or the Photo Lighting kit for a bit of everything. Add to cart and shoot this weekend.
Strobist Flash Pack
The cult speedlight kit — pre-cut colour and correction gels sized to snap onto a flash head.
Photo Lighting Filter Kit
Colour, correction and diffusion in one box — the broad kit that covers most days.
Beauty Filter Kit
Warm, flatter and soften — the gels beauty and portrait shooters reach for.
Digital After Dark Kit
Saturated colour for night, editorial and creative flash work.
Color Correction Kit
CTO, CTB and plus/minus-green to balance mixed light and nail white balance.
Diffusion Filter Kit
The full spread of Rosco diffusions — a whisper of softening to full frost.
CalColor Filter Kit
Calibrated colour in measured steps for exact, repeatable, matchable looks.
Cinegel Sampler Kit
A taste of the Cinegel range — correction and diffusion samples to find your favourites.
The must-have haze
Don't leave without a can
A room with a little haze photographs completely differently — beams appear, backlight glows, depth arrives. If you buy one thing off this page, make it this.
Atmosphere Aerosol Haze Spray
Instant beams and mood from a can — the single fastest way to make a shot look cinematic. Grab one, keep it in the bag. (Can't ship TAS/NT.)
Strobist Flash Pack
Add the gels to colour and correct while you're here — haze plus colour is the whole look.
Add a polariser
Rosco polarising filters
Place it over the light and cross-polarise against a lens polariser for glare-free product, copy and repro work. Cut a sheet to fit any head.
Rosco Polarising Filter #7300
The professional polarising lighting filter for reflection, glare and cross-polarisation. Trim to any fixture.
E-Colour #239 Polariser
The E-Colour polarising gel — a lighter-weight sheet to polarise a source or lens.
Colour, on demand
Change the colour in seconds
A gel on the flash is the fastest way to change the whole feeling of a shot. Warm it for golden hour indoors, cool it for a moody edge, or push a bold teal-and-orange without touching a slider afterwards. Rosco's kits give you a ready palette, pre-cut and labelled, so you're not hunting for the right sheet mid-shoot.
- Warm, cool or push a bold colour in a second
- Pre-cut and labelled — grab, snap on, shoot
- Consistent, repeatable colour you can match across a set
- Get the look in camera instead of fighting it in post
Correction, anywhere
Match mixed light on location
When the room is a soup of daylight, tungsten and LED, a correction gel on each source brings them into line so skin reads clean. CTO warms a cold source to tungsten; CTB cools tungsten to daylight; plus/minus-green kills the LED and fluoro tint. It's the difference between an easy grade and a fight.
- CTO / CTB to match daylight, tungsten and LED
- Plus/minus-green to fix fluoro and LED tint
- Balance every source so white balance stays put
- Correction on the go — no gaffer truck required
The filter you can't fake in post
Kill glare and reflections at the source
A polariser is the one effect you genuinely can't add back in editing. Rosco's polarising filter is a sheet you place over the light — and when you cross-polarise it against a polariser on the lens, specular hotspots and reflections simply vanish. It's the technique product, food, jewellery and art-repro shooters rely on to photograph shiny, wet or glazed surfaces cleanly.
- ✓Cross-polarise light + lens to kill hotspots on product, food, glass & artwork
- ✓Cut reflections off screens, glossy packaging, water and painted surfaces
- ✓Deepen colour and contrast a lens polariser alone can't reach
- ✓Tame sheen on metallic, plastic and wet-look surfaces
- ✓The one look you can't recreate in post — get it right in camera
Why the haze matters
Atmosphere Aerosol — the can that makes a shot look expensive
A room with a little haze photographs completely differently — beams appear, backlight glows, depth shows up out of nowhere. Atmosphere Aerosol is clear, non-toxic haze straight from a can. No fog machine, no fluid, no power. It lives in your bag and comes out the second a shot needs mood.
- Clear, non-toxic haze — safe in a studio or a client's space
- Reveals light beams and makes backlight glow on camera
- Instant, cinematic mood in a few seconds
- The fog machine you can carry — 8 oz can, $35
- (Can't ship to TAS/NT)
Shot with Rosco
Photographers who light with gels
Real series, shot in-camera with Rosco filters and haze. Courtesy of Rosco Spectrum.
Case study · Pedro Wazzan — artist portraits
Building a whole narrative out of colour
For his saturated portraits of artists in their studios, Pedro Wazzan runs six to eight speedlites plus practicals and mixes Rosco CalColor and correction gels into complementary schemes, shooting tethered to tune the colour live. The colour isn't decoration — it carries the story of each subject.
“Mixing Rosco CalColor filters gave me an infinite world of color that enabled me to create the narrative I wanted.”Pedro Wazzan — PhotographerRead it on Rosco Spectrum →
Courtesy of Rosco Spectrum
Case study · Nathan Stampfli — 1950s series
Diner, jazz bar and pin-up looks — all in-camera
Nathan Stampfli recreates authentic 1950s atmospheres with three gelled flashes — a different Roscolux on each head (#26 Light Red + #65 Daylight Blue for the diner; Golden Amber and rose tones for the jazz bar) — and a CTO-gelled reflector for a warm face glow. His diptychs show the gelled result beside the plain-flash frame.
“I love Rosco filters, I use them on every photo I take.”Nathan Stampfli — PhotographerRead it on Rosco Spectrum →
Courtesy of Rosco Spectrum
Technique · Jay P. Morgan — The Slanted Lens
Making the light itself visible with haze
Jay P. Morgan uses fog and haze as a lighting tool: background lights aimed back toward camera at ~45° turn hazy air into defined beams and shafts, shaped with gobos, snoots and cutters. A little atmosphere is the difference between a flat frame and one with depth and mood.
Read it on Rosco Spectrum →Courtesy of Rosco Spectrum
We're here to help
The everyday light problems these fix
These are the situations photographers bring us — and the few dollars of gel that fix each one.
✗ Your flash is cold and clinical and the shot has no mood.
Rosco fix: Snap a warming or colour gel onto the head — instant warmth or a bold look, dialled in camera.
✗ Window + tungsten + LED are mixing and skin tones are all over the place.
Rosco fix: CTO / CTB and minus-green correction gels match your sources so white balance behaves everywhere.
✗ You want a cinematic, coloured look but there's no time to fuss.
Rosco fix: Pre-cut colour gels drop straight on the flash — teal, magenta, amber, whatever the story needs, in seconds.
✗ The light's too hard and unflattering on skin.
Rosco fix: A diffusion gel softens the source on the spot — no new modifier to buy or carry.
✗ The room looks flat and lifeless — no depth, no beams.
Rosco fix: A quick spray of Atmosphere Aerosol adds haze so backlight glows and the shot looks expensive.
✗ Reflections and hotspots are wrecking your product, glass or artwork shots.
Rosco fix: A polarising filter over the light — cross-polarised with the lens — kills the glare you can't retouch out later.
Quick answers
Before you buy
Which kit should I start with?
Are the gels pre-cut to fit my flash?
What's the difference between colour and correction gels?
Is the haze safe indoors and with clients?
Do you ship across Australia and New Zealand?
Sort your light before the next shoot.
A kit to change colour and correct on the go, and a can of haze for instant mood — under a couple of hundred dollars, and it fits in a side pocket. We're here if you want a hand picking.
Not sure which kit is right for you?
Tell us what you shoot — portraits, product, editorial, events — and we'll point you to the right gels and let you know what's worth carrying. Exclusive Rosco distributor for Australia & New Zealand.